Showing posts sorted by relevance for query "tomi ungerer". Sort by date Show all posts
Showing posts sorted by relevance for query "tomi ungerer". Sort by date Show all posts

Wednesday, June 8, 2011

Tomi Ungerer Hits New York

This is one of those days when I can't believe I am not in New York. Tomi Ungerer is going to be all over the island this week, and the person who gets me an autographed copy of any of his books will win my eternal and undying love for ever and ever. Seriously! Pretty please. And I am totally, NOT kidding.

An Evening with Tomi Ungerer and Jules Feiffer
Wednesday, June 09, 6:30 p.m. - 8:30 p.m.
This once in a lifetime event pairs up two award-winning, iconic illustrators as they reflect and discuss their careers, art, and works in children’s literature. OMG!!!!!

Signing @ The Drawing Center
Saturday, June 11, 12:30 - 2:00
Join Phaidon Press and The Drawing Center for a special book signing with Tomi Ungerer, the award-winning author and illustrator of international best-seller The Three Robbers!

Signing @ Books of Wonder
Saturday, June 11 · 4:00pm - 7:00pm

Seriously, anyone willing to get out there and score a book for me will get a super special surprise, plus good karma for life!

(If you're in Philly, he'll be there Tuesday the 14th @ the Parkway Central Library @ 7pm.)

—————

Read along on Facebook, tumblr, Twitter and Etsy!

Sunday, August 24, 2014

one, two, where's my shoe

one, two, where's my shoe
Tomi Ungerer ~ Harper & Row, 1964
new edition from Phaidon, out in September

I finally got around to watching the Tomi Ungerer biopic, Far Out Isn't Far Enough, and it has totally inspired me to see if I can make my Ungerer collection run a little deeper. Been seeking out titles on eBay and the like and came across this sweet little semi-wordless book that only has two lines of text, one on the first page and one on the last.

 I was delighted to see that Phaidon is reissuing it next month.




Each spread has the image of a shoe hidden creatively within it.

Brilliant but simple images and colors for the earliest Tomi readers.




If you haven't already, check out my interview with Tomi last year.



--------------------------------------------------------------------------

Read along on Facebook, tumblr, Twitter, Etsy and Graphic Novels My Kid Loves.

Monday, July 1, 2013

Tomi Ungerer Interview Part One

I've been holding onto this interview like a precious, secret jewel, waiting for the right moment to present. As anyone who reads this blog knows, I am quite possibly Tomi Ungerer's number one admirer when it comes to his work for children. The French illustrator has written more than 140 books, some for children -- some definitely NOT for children, but all full of wildly imaginative ideas and illustrations. With the new documentary of his life in theaters (Far Out Isn't Far Enough) and the release of a brand spanking new book for children (Fog Island) he's making the rounds (he'll be on NPR's Fresh Air later today), so I figured now was as good a time as any to share my little secret. Last year, Tomi was kind enough to sit down and answer some of the questions I've been dying to ask him over the years.

So without further anything, please enjoy the VKBMKLs interview with Tomi Ungerer, told in three parts over three days. Very fine. Very fine indeed.


VKBMKL: The Mellops Go Flying was your first book for children. With the reissue of the Mellops books by Phaidon, do you remember where the idea for the pig characters first came from?

TOMI: Well, I don’t really remember, I know I was just drawing a lot of pigs because in English I thought that we could do a lot of things with pigs like pigmy, Pygmalion, and so on, and I started doing those little characters,  and then it turned into a book. When I came in ‘56 to America, there was a trunk of drawings, I already had a book about the Mellops, but it was too cruel to be published. They were caught by a butcher to be turned into sausages and things like that. But Ursula Nordstrom [publisher of Harper & Row] liked the pig family, she told me to conceive of another story and I just set to work. As for the name “Mellops”, well, in school we gave our teachers other names, I remember it was a name we gave to our history teacher. But where the word came from, I can’t remember. We must have been drunk and having some fun or something like that, you know. There was no harm getting drunk in high school in those days, so anyway, that started with the Mellops. 

VKBMKLs: In the case of The Beast of Monsieur Racine, there are all sorts of hidden, mad things going on within the pictures. Murdering hobos, bleeding pipes, bodies stuffed in trunks, and a faceless self-portrait. What exactly were you thinking when you cooked up that story?

TOMI: I’ve always been literally a lover of the absurd. I think the absurd gives a new dimension to reality and even to common sense. And life, you know, on an everyday basis, is absurd, or may turn out to be absurd. There’s no reality without absurdity. And I think this should be shown to the children especially, if it enables them to make fun of the adults. The children are still free. They have a free imagination. They have the innocence it takes to be free. I think this should be encouraged, actually. Especially as my children’s books developed, I started putting more and more details, a lot of them being perfectly subversive.

Children love jokes. Children love to make fun of things, and not only this, I would say that the more details you have, the more it develops a sense of curiosity. Knowledge would be in-existent without curiosity. So a child must always kind of look—what is the next detail, and most of the details are sometimes absurd. Well there’s one detail in Monsieur Racine where the hobo goes around with a bag and an extra bleeding foot in his satchel. People ask me what’s going on here, and I say, ‘This hobo does a lot of walking, just like if you have a car you have an extra tire. So the hobo needs an extra foot.’ But I must say that I made up that answer as the question was given to me, when I drew it I didn't think about it, I just let my imagination flow.

VKBMKL: I was wondering how having a child changed your writing and drawing for children, and in particular how having a girl for a child changed your perspective on the world?

TOMI: None whatsoever. As I said, as a child what I went through with my mother’s affection, with my sister’s affection being all over me, you know with kisses and this and that, I really had my dosage of all that, and I must say that I didn’t have much physical contact with my daughter or my sons, even as babies. Mothers can allow themselves to something like this, I mean I have no time for these kind of things, so…I mean, not that I was distant, but I’ve seen so many of my friends who completely flipped over their daughter, I mean making themselves ridiculous, and I don’t think that’s very healthy at all. I think children should be treated as equals, and just simply be respected. They should be listened to, children have opinions, children have a sense of humor, and I know children…an adult should always be ready to answer the curious child. And this is to one of the reason I put so many details, so the children ask questions. And so this involves the parents, to give them an answer. Questioning is so important, but we don’t question children enough either. We should ask children questions all the time. Sometimes difficult ones to see what their answers are. It is what I do now in the French magazine called Philosophie Magazine, I answer children’s questions. But I tell you that it’s a wonderful challenge, a wonderful challenge. 

Continued here...

All photos courtesy of  www.tomiungerer.com.

Books by Tomi Ungerer:
The Hat
The Mellops Strike Oil
Crictor
Seeds and More Seeds
The Three Robbers
Zarelda's Ogre
Christmas Eve at the Mellops'
I Am Papa Snap and These Are My Favorite No Such Stories
The Beast of Monsieur Ravine
Emile
Allumette
Book of Various Owls
Rufus
Adelaide
Moon Man
Otto
Flix
Beastly Boys and Ghastly Girls
Orlando the Brave Vulture
No Kiss For Mother
The Donkey Ride
Mellops Go Spelunking
The Great Songbook

--------------------------------------------------

Read along on FacebooktumblrTwitter and Etsy.



Monday, July 27, 2009

Moon Man ~ Guest Post by Gillian Fassel

When I started to think about people to write guest posts, as always, the first person who came to mind was Gillian Fassel... the friend and writer who inspires me to be a better thrifter and, as a fellow ex-East Coaster, often keeps me from going insane in this Texas heat. (Hey what can I say, she has talent, incredible taste and she has a pool.) Here she writes about one of my all time favorite children's book authors... though, this book in particular, I don't yet possess. You see, Gillian has this nasty habit of getting to our local library sales five minutes before me, but I digress. Comment on this post before midnight tonight, and I might select your name to win a vintage paperback of the Ungerer-illustrated Flat Stanley. A winner will be posted first thing tomorrow. ~ Scribbler

Moon Man
Tomi Ungerer ~ Harper & Row, 1967


So when Scribbler—the mastermind behind this blog, my friend and (friendly) competition in the pursuit of all the lovely discarded vintage children’s books in our neck of the Lone Star State—asked me to write up my favorite children's book for her second anniversary, I told her she was nuts. Maybe I could narrow it down to a top ten list, but even that would be a challenge. I thought about asking my daughters (ages 2 and 6) for their picks but that's just another exercise in futility since they change every day (right now the 2-year-old is fixated—and you know how only a two-year-old can fixate—on old-school Berenstain Bears and Richard Scarry while the 6-year-old adores Ursula Leguin's remarkable Catwings series and anything by Esther Averill). I’ve celebrated a few of our most beloved volumes here already (Captain Slaughterboard Drops Anchor by Mervyn Peake is very high on the list), and Scribbler has given props to plenty more of our family favorites: all Sendak/Krauss collaborations, anything by Wanda Ga'g, William Steig, Margaret Wise Brown, C.W. Anderson, Lois Lenski. Oh, and Ray Bradbury's Switch on the Night..that might be my all-time favorite—but no, I will not be held to just one!

Thus I'm choosing to highlight Tomi Ungerer's Moon Man, mostly because... Scribbler hasn't done it yet? And in honor of the anniversary of the Moon landing? And because this book was love at first sight for my elder daughter (she was 3 or 4 when we scored a nice copy at a local library sale) and because I'm always so excited to learn the backstory of yet another out-of-print genius author/artist I'd never heard of—in this case Ungerer, whose books fell into disfavor—and were even apparently banned by some librarians—because of his subversive politics (his harsh iconic images for anti-Vietnam war posters are well worth Googling) and for his forays into the world of erotica. You can get the lowdown on Ungerer's fascinating career here in a New York Times article published last year when British art-book publisher Phaidon announced it would be reissuing some of Ungerer's books, including Moon Man, which is an excellent introduction to his unsentimental view of the world.

My daughter, like most small children, has an intense personal relationship with the moon, so this story was a bit wrenching at first, as it's in the vein of Frankenstein, E.T., Edward Scissorhands, and countless other tales in which a magical outsider arrives peacefully (more or less) and is beset by mobs of pitchfork-wielding yahoos, shameless profiteers and of course, nefarious government scientists. In this case, the innocent creature is the Man in the Moon, who on “clear, starry nights can be seen curled up in his shimmering seat in space.”

The Man in the Moon is a gentle, marshmallow-like fellow who spends his nights enviously watching the people of Earth dancing. "If only I could join the fun," he thinks. "Life up here is such a bore." So he decides to hitch a ride on a shooting star and pay Earth a visit. The noisy conflagration of his crash landing draws a crowd of soldiers, firemen, and sundry spectators who don't know what to make of "the pale soft creature lying in the crater." Naturally, government officials are alerted and in the ensuing panic the Moon Man is declared an invader and tossed in the clink.

The moon man was thrown in jail while a special court conducted a criminal investigation. Poor Moon Man...his hopes of dancing among the gay crowds and bright lanterns were crushed.

Luckily, at this point, the moon's ability to wax and wane comes in handy—as he wanes he's able to squeeze through the bars of his window. His captors are furious but the Moon Man is thrilled with the opportunity to explore Earth, to smell the flowers, marvel over the birds, etc.

He came upon a garden party where people in gorgeous costumes were dancing. "Look! Someone has come as the man in the moon," a lady cried. The Moon Man danced blissfully for hours.

When the party breaks up because of a neighbor's complaints about the noise, the Moon Man is discovered and pursued through dark woods by the cops. He stumbles upon "an ancient castle" where me meets a Dr. Strangelove-esque scientist named Doktor Bunsen van der Dunkel who's been perfecting a moon-bound spacecraft (I wasn't surprised to learn that Ungerer worked with Stanley Kubrick on posters for the film Dr. Strangelove, or How I Stopped Worrying and Learned to Love the Bomb).

Now finished, the intricate machine rested on its launching pad on a castle turret. Doktor van der Dunkel had grown too old and too fat to fit into the capsule. He asked his guest to be his first passenger. The Moon Man, who had realized that he could never live peacefully on this planet, agreed to go.

The ending is happy enough—after a teary farewell, the Moon Man returns to "his shimmering seat in space" (love that image) and the good Doktor is "elected chairman of an important scientific committee." Ungerer, who lives in a kind of self-imposed exile in a tiny village on the Irish coast, said in the Times interview, “I think children have to be respected. They understand the world, in their way." I am down with that. Books like this one are a bracing alternative to some of the patronizing treacle that passes for children's fiction. I can't think of a better way to acquaint my daughter with some of the pitfalls of humanity—fear of the unknown, mistrust of difference, the willful embrace of ignorance—than with the story of the Moon Man.

(Reissued by Phaidon in 2009.)

Also by:
The Hat
The Mellops Strike Oil
Crictor
Seeds and More Seeds
The Three Robbers
Zarelda's Ogre
Christmas Eve at the Mellops'
I Am Papa Snap and These Are My Favorite No Such Stories
The Beast of Monsieur Ravine
Emile
Allumette
Book of Various Owls
Rufus
Adelaide

Thursday, June 9, 2011

Tomi in MA!

I was also informed of a show opening at the world-famous The Eric Carle Museum in Amherst, Massachusetts called: Tomi Ungerer, Chronicler of the Absurd, running June 18 - October 9, 2011.

Tomi himself will be there on June 18th for the exhibition opening and June 19th for a book signing and personal gallery tour. This exhibition celebrates Ungerer’s 80th birth year. A trilingual author, Ungerer has published over 140 books ranging from his much loved children’s books to his controversial adult work.

Ungerer’s career, like contemporaries Leo Lionni and Eric Carle, was multi-faceted, encompassing advertising and political commentary. Prior to leaving America, Ungerer arranged for the Free Library of Philadelphia to acquire a substantial portion of his work up until that point.

Selected from archives and private collections, the exhibition documents the bulk of Ungerer’s career as a writer and illustrator of children’s books. Included in the exhibition, among others, will be examples from Ungerer’s first book, The Mellops Go Flying (1957), as well as The Three Robbers (1962), Flat Stanley (1964), and Moon Man (1967).

Tuesday, September 24, 2013

Guest Post: The Sorcerer’s Apprentice

Again, help me in welcoming my good friend, fellow old book collector, and Etsy purveyor of all things vintage modern and awesome, Thingummery as she explores a book illustrated by the magnificent Ungerer and written by the author of the Scarry-illustrated Golden classic Rudolph the Red-Nosed Reindeer. Fabulous!


The Sorcerer's Apprentice
Barbara Hazen ~ Tomi Ungerer ~ Lancelot Press, 1969

It’s a wonderful thing to go to an estate sale and find a Tomi Ungerer book you didn't even know existed, especially one illustrated at what might be considered the apex of his children’s book illustrating career. The Sorcerer’s Apprentice was published in 1969, around the same time period as some of my favorites: Moon Man, Zarelda’s Ogre, The Hat, The Beast of Monsieur Racine… But unlike those masterworks, Ungerer didn't write The Sorcerer’s Apprentice; he left that to Barbara Hazen, better known as Barbara Shook Hazen, a midcentury magazine editor turned prolific children’s book author, who has over 80 titles to her credit. Of those many titles, I’m only familiar with two: The Knight Who Was Afraid of the Dark, an old favorite at my house, and Mr. Ed, The Talking Horse (yes, that Mr. Ed, and if you’re interested, I've got a copy for sale at my etsy shop).








































No offense to Ms. Hazen (who I believe is still living and working in NYC), but this book is really about the pictures, which should come as no surprise to Ungerer fans. Based on a poem by Goethe—though best known in its Mickey Mouse incarnation—Hazen’s version of the tale of a ne’er-do-well apprentice who unleashes powers he cannot possibly control is a bit overworked and wordy for my taste (my kids think I’m being a snob). Probably anyone’s prose would seem colorless next to these illustrations, which are classic Ungerer: trippy, witty and always with a deep, dark underbelly. Full of cockeyed references to previous books, disembodied body parts and loopy creatures. Kind of like Highlights magazine’s “Hidden Pictures” reimagined by a very sinister mind. The broom alone is terrifying.








































The story line doesn't waver much from the classic telling of the tale. We meet a “wise old wizard” who lived in a castle “high above the River Rhine.”

The cellar was the sorcerer’s workshop. One side of the cellar was lined with shelves of musty, dusty, leather-bound books. By far the most important book of all was an enormous volume called Complete Magic Spells and Incantations... The book stood alone on the top shelf, where it was guarded day and night by an old green-eyed owl. The book was always locked, and the sorcerer always wore the key around his neck.








































In the middle of the workshop was a water tub. Every day the tub had to be filled. Heavy buckets of water had to be brought all the way up the steep stone steps which led from the River Rhine.






















Enter the Sorcerer’s Apprentice, the hapless Humboldt, whose task it is to tote those heavy buckets of water every day. Humboldt aspires to wizardhood, but he’s a total slacker so the sorcerer really has to ride him. “An apprentice must work. An apprentice must learn. An apprentice must earn his magic powers,” he chides, before heading off to a wizard conclave and leaving Humboldt to hold down the fort.








































After the sorcerer disappears in his trademark puff of blue smoke, Humboldt kvetches:

“It isn't fair. He has all the fun and I do all the dirty work. Why should I slave all day when the master could cast one magic spell and have all the chores done in an instant. Magic’s a much easier way, and much more fun, too!”








































When Humboldt discovers his master has forgotten to take the key to his big book of magic, he immediately opens it and finds the spell that will make a broom “fulfill all the wishes of your will.”








































The foolish boy calls out the spell and all hell breaks loose. The guardian owl awakens and knocks him off the ladder.

The ladder crashed and broke in two. But luckily Humboldt landed unhurt, cushioned by the sorcerer’s stuffed crocodile. Humboldt lay there stunned. At first nothing happened. Had he said the wrong magic words?








































But you know what happens next. The animated broom stirs, and gets right down to business, filling the sorcerer’s tub with water from the Rhine. And “Humboldt kept on singing and dancing and the broom kept on hobbling and bobbling, and the water kept on rising in the tub.”









































Things really start to spiral out of control; the cellar begins to flood and Humboldt can’t undo the spell.

The water was now waist high. The cat was climbing the furniture and the snakes were slithering up the draperies. Scared and soaked to the skin, Humboldt knew he had to do something to stop the broom. He grabbed the sorcerer’s axe.








































He cuts the broom in two, which only results in…more brooms. Way more creepy-faced brooms.


























































By now the flood had reached the top shelf of the bookcase. Humboldt was swimming for his life, and trying to catch the magic book, bobbing always just out of reach.























And just in the nick of time, in his trademark blue puff of smoke, the sorcerer appears and banishes the broom army with a spell. Humboldt feebly begs forgiveness, but the sorcerer just puts him to work, cleaning up the mess of his making. And in a twist I don’t recall from the Fantasia version of the tale, the broom briefly awakens to whack him on the butt four times, “sending the sorcerer’s apprentice flying all the way down the steep stone steps to the River Rhine. AND THAT WAS THAT!”
__________________________

Read along on FacebooktumblrTwitter and Etsy.

Thursday, June 19, 2008

The Hat

The Hat
Tomi Ungerer ~ Four Winds Press, 1970


Tomi Ungerer is a wonderful, odd duck (who tweets rather than quacks), and I think it's safe to say that I'm in love with him. French-born Ungerer lived through the German occupation of Alsace, and in many ways, that childhood is reflected in his books. They have a childlike quality while still staying firmly cemented in many of life's unpleasantries. He was praised for his early children's books, but quit for two decades to create illustrations and books with themes of adult sexuality ~ hey, whatever floats your boat, man.

Hilarious erotic perversions aside, Crictor is still in my son's top 20 -- every snake he encounters gets named after the blasted boa -- and The Hat is equally a charmer.

There is a magic hat, see. And the head it chooses to land upon will have a flood of good fortune. When the hat settles on a penniless veteran, he does one good deed after another, becoming a national hero -- winning fame, fortune and a beautiful bride.

"Capitano Mallmorte!" he cried. "What is this all about!"

"We have trapped a band of cutthroats in their lair." replied the captain. "They refuse to surrender. Our cannons will soon blow their brains to reason."

"Don't shoot yet. Put me in charge and you shall capture them alive. Hat, hat!" ordered Badoglio. "To the chimney, quick!"

The hat took off and settled on top of the flue. Soon a white flag appeared. In clouds of smoke the brigands staggered out, one by one coughing and choking.


Ungerer sees people in a very unpretty way, but in a way that's real and charming and makes the players interesting rather than just cute. For instance, due to the main character's (Badoglio) thick black beard, you never see his mouth except as a small black circular shadow. Expressive with minimal expression. Too, my son loves the fact that this Badoglio guy has a small wheel for a foot and seems perfectly content to roll along in life. Out of print, paperback versions are readily available online, though the hardcover will cost you a bit more.

Featuring Ungerer's signature secret winks, can you guess who the hat is going to next in above picture scanned from the last page of the book? Spectacular.

Also by:
I Am Papa Snap and These Are My Favorite No Such Stories
The Mellops Strike Oil
Zarelda's Ogre
Crictor
Seeds and More Seeds
The Three Robbers
Moon Man
Orlando The Brave Vulture
Christmas Eve at the Mellops'
The Beast of Monsieur Racine
Allumette
Emile
Book of Various Owls
Rufus
Adelaide

Monday, December 20, 2010

The Great Song Book

The Great Song Book
edited by Timothy John
music edited by Peter Hankey
illustrated by Tomi Ungerer
Ernest Benn, 1975
originally published by Diogenes Verlag as Das Grosse Liederbuch


No Great Monday Give today, but Santa Claus is Coming to Town on classic VHS has won me a few moments at the computer. I thought I'd share this book since it's getting gifted in about 24 hours. Who doesn't want Tomi Ungerer for Christmas, no? The pages house a collection of 60 traditional songs and ballads, all well and good, but interspersed are full-page plates and random Ungerer drawings illustrating the tunes. I am simply in love with these pictures. The topmost was taken from the Christmas Songs chapter, in which you can also see Mary lying down in the manger, glowing post-birth (in pure uncensored Tomi-style).

There's also Songs of Dance and Play, Fireside Songs, Folk Songs and more. Goosey, Goosey Gander... John Peel... Clementine... The Ash Grove... and my all-time favorite Christmas Song, Good King Wenceslas...

Good King Wenceslas looked out
On the feast of Stephen
When the snow lay round about
Deep and crisp and even
Brightly shown the moon that night
Though the frost was cruel
When a poor man came in sight
Gathering winter fuel.


Enjoy!

Also by:
Crictor
The Hat
Zarelda's Ogre
Seeds and More Seeds
The Three Robbers
Moon Man
Orlando The Brave Vulture
Christmas Eve at the Mellops'
I Am Papa Snap and These Are My Favorite No Such Stories
The Beast of Monsieur Racine
Allumette
The Mellops Strike Oil
Book of Various Owls
Rufus
Emile
Adelaide
No Kiss for Mother

—————

Read along on Facebook, tumblr, Twitter and Etsy!
Related Posts Plugin for WordPress, Blogger...